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Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Reformed parolee Steve Lacey is caught in the middle when a wounded former cellmate seeks him out for shelter. Added to Watchlist Add to Watchlist.
Mirren vs. Streep: Freddie Highmore Takes Sides. Missing Movies. Il Cinema Ritrovato American Classic. Share this Rating Title: Crime Wave 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Learn more More Like This. Armored Car Robbery Certificate: Passed Action Adventure Crime. A well-planned robbery goes awry, with tough cop Cordell in pursuit. The Narrow Margin Crime Drama Film-Noir. The Clay Pigeon Certificate: Passed Drama Film-Noir. Pitfall Crime Film-Noir Thriller. Decoy Tomorrow Is Another Day Scene of the Crime Desperate A young married couple flee both police and a gangster out for revenge.
Act of Violence Cry Danger Backfire Born to Kill Edit Cast Complete credited cast: Sterling Hayden Sims Gene Nelson Steve Lacey Phyllis Kirk Ellen Lacey Ted de Corsia Otto Hessler Nedrick Young Daniel O'Keefe Dub Taylor Detective Kelly Mack Chandler Language: English. Production Co: Warner Bros. Runtime: 73 min. Color: Black and White. Edit Did You Know? Warner Bros. When Steve's parole officer arrives detective Lt.
The revolver now has a 4" barrel and appears to be a Colt Police Positive. Married insurance adjuster John Forbes falls for femme fatale Mona Stevens while her boyfriend is in jail and all suffer serious consequences as a result. A mortally wounded female gangster recounts how she and her gang revived an executed killer from the gas chamber, to try and find out where he buried a fortune in cash. An ex-convict and a woman fall in love, after she shoots her police Lt.
While his wife is urging him to quit the force, a Los Angeles homicide detective hunts for the killer responsible for the murder of his ex-partner, who might have been on the take with local bookies. An embittered, vengeful POW stalks his former commanding officer who betrayed his men's planned escape attempt from a Nazi prison camp. Ex-con Rocky Mulloy seeks the real culprit in the crime for which he was framed in a night world of deceptive dames and double crosses.
While recuperating from wartime back injuries at a hospital, veteran Bob Corey is visited on Christmas Eve by a beautiful stranger with an even stranger message.
Wounded, Morgan flees through black-shadowed streets to the handiest refuge: with former cellmate Steve Lacey, who's paroled, with a new life and lovely wife, and can't afford to be caught associating with old cronies. But homicide detective Sims wants to use Steve to help him catch Penny and Hastings, who in turn extort his help in a bank job.
Is there no way out for Steve? The wounded man makes his way to the home of Steve Lacey, a former associate of some of the gang, but dies before medical help can arrive.
This turns Lacey's life upside-down. Although he is a former convict, he has been trying to start a new life; he has found an honest job as an aircraft mechanic and has married a woman who supports his determination to "go straight". Soon, Lacey is approached by the surviving gang members.
Although he wants nothing to do with them, his fears for this own safety and that of his wife mean that he is forced to allow them to stay in his apartment and reluctantly agrees to assist them with a planned bank robbery. There are a number of similarities with another film noir, Sam Fuller's "Pickup on South Street", which came out the previous year.
That film too had a central figure who was an ex-convict, and in both films the police are shown in a less that positive light. The police officers in "Pickup on South Street" are not idealised heroes but flawed characters with little compunction about bullying suspects or bribing informers to get information. The main police character in "Crime Wave", Detective Lieutenant Sims, is a similar figure, ruthless, hard-nosed and lacking in human warmth.
Sims does not believe in the possibility of rehabilitation or reform, and hence is very suspicious of Lacey, even though his parole officer is willing to vouch for the young man's reformed character. A surprise development late in the film, however, does enable us to see Sims in a rather more sympathetic way. He shot much of the film on location in Los Angeles, making use of both city landmarks such as City Hall and of more humble buildings. The gas station which the villains hold up was, for example, a real one. This use of real city locations for added realism seems to have started a trend in film noir; one film said to have been influenced by this one was Stanley Kubrick's "The Killing", which used several of the same actors.
De Toth, however, was able to turn the film's short running-time to his advantage, as it has a terseness and gripping sense of tension lacking in some more expansive dramas. A number of typical noir features are present, such as the moody black-and-white photography, with a number of scenes taking place at night or in low levels of lighting. An alternative title for the film is "The City is Dark".
Another such feature is the sense of moral ambiguity hanging over the storyline, with an ex-convict turning out to be more heroic than the official guardians of law and order. The film does not, however, feature that stock noir character, the seductive but villainous femme fatale- the only major female character is Lacey's courageous and virtuous wife Ellen, played by Phyllis Kirk with her sweetly innocent, girl-next-door prettiness.
I would not rate the film quite as highly as "Pickup on South Street", one of the greatest of all films noirs. There are no acting contributions quite on the same level as those of Richard Widmark, Jean Peters and Thelma Ritter in the earlier film, although Sterling Hayden is very effective as Sims. Another well-known face is a young Charles Bronson, credited under his real name of Charles Buchinsky, as one of the gangsters. Fuller's film also has a greater moral complexity.
Whereas Lacey is a reformed character who has gone straight and become a model citizen, Widmark's character, Skip McCoy, is at the beginning of the film far from reformed; in the very first scene we see him stealing a wallet from a young woman on the subway. Crime Wave", however, is a tense, well-paced and well-made crime drama, and for something which began life as a B-movie a remarkably influential one.
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Teen-Age Crime Wave () - IMDb
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